When a foreign exchange student arrives in a small upstate New York town, she challenges the dynamics of her host family's relationships and alters their lives forever.
Director:
Drake Doremus
Stars:
Felicity Jones,
Guy Pearce,
Mackenzie Davis
Kathryn Vale (Lena Olin) is a reclusive ex-movie star with a dark secret and a daughter hoping to follow in her mother's movie-star footsteps. When Kathryn attempts to make a career ... See full summary »
An unflinching Ozark Mountain girl hacks through dangerous social terrain as she hunts down her drug-dealing father while trying to keep her family intact.
Director:
Debra Granik
Stars:
Jennifer Lawrence,
John Hawkes,
Garret Dillahunt
April (age 15) is running from one bad situation into another, hoping to find an answer that doesn't involve nudity, and falls in with a group of confused kids chasing their dreams. The black widow in the web is the sexy, pot-dealing Sally.
Anna and Jacob fall instantly in love when they meet as students at an L.A. university. But Anna is British and when graduation approaches, Anna decides to stay and violate her student visa rather than returning to England. After a visit home, she is then unable to return to the United States. While fighting customs and immigration battles, Anna and Jacob must decide if their relationship is worth the distance and the hardship. Written by
napierslogs
At the Toronto International Film Festival (2011), the director admitted that much of the movie was improvised. The script outlined what would happen, but Felicity Jones and Anton Yelchin improvised much of their dialogue. See more »
Goofs
When Jacob is sending a text message to Sam in Anna's kitchen, upon being questioned who he is "texting", he sets his phone down in front of the laptop computer on the table and leaves the room. In the next shot, Anna goes to browse his text messages, and the phone has changed its position to the side of the computer instead. See more »
Quotes
Anna:
I thought I understood it, that I could grasp it, but I didn't, not really. Only the smudgeness of it; the pink-slippered, all-containered, semi-precious eagerness of it. I didn't realize it would sometimes be more than whole, that the wholeness was a rather luxurious idea. Because it's the halves that halve you in half. I didn't know, don't know, about the in-between bits; the gory bits of you, and the gory bits of me.
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Opus 26
Written by Dustin O'Halloran
Performed by Dustin O'Halloran
Published by Embassy Music Corporation on behalf of Dustin O'Halloran Music
Courtesy of Filter Recordings / Splinter Records See more »
Like Crazy isn't a perfect film, but it's a refreshingly personal one. Though it has a questionable screenplay and some awkward editing, the genuine emotion in every scene is palpable. Yelchin and Jones give the film their all: their romance is believable yet they bravely portray their flaws as well - perhaps so that we can relate to them better, so we can find ourselves in their mistakes and learn from their downfalls.
There are some issues - the editing can be choppy, some lines sound like they came from a 7th grader, and the film isn't nearly as long as it should be. It's hard to be sad about their separation when they're only separated for 5 minutes at a time. In spite of the occasional clunkiness, however, the film works because of the commitment to the characters, the genuine romance, and the tearjerkingly beautiful moments of pure, human emotion.
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Like Crazy isn't a perfect film, but it's a refreshingly personal one. Though it has a questionable screenplay and some awkward editing, the genuine emotion in every scene is palpable. Yelchin and Jones give the film their all: their romance is believable yet they bravely portray their flaws as well - perhaps so that we can relate to them better, so we can find ourselves in their mistakes and learn from their downfalls.
There are some issues - the editing can be choppy, some lines sound like they came from a 7th grader, and the film isn't nearly as long as it should be. It's hard to be sad about their separation when they're only separated for 5 minutes at a time. In spite of the occasional clunkiness, however, the film works because of the commitment to the characters, the genuine romance, and the tearjerkingly beautiful moments of pure, human emotion.