The two-story, 32,000-square-foot workspace, called Fosbury & Sons, comprises a mix of circular communal worktables and bar-height stations, along with a library, cushy reading nooks, and amphitheater-style seating.
The New York Times is reporting that Ikea will settle lawsuits brought against the Swedish retailer by families of children killed by overturned furniture.
This bright, airy live-work space makes use of the structure’s original skylights, exposed-steel trusses, and high, gabled ceilings, which clock in at nearly 20 feet tall.
Architect David Romero embarked on a remembrance of sorts for two long-gone Wright works, mocking up full-color visualizations for buildings we’ve only seen in black-and-white photography.
This gorgeously weird timber house by architect Lee Aaron Ward, a onetime apprentice of Frank Lloyd Wright, has hit the market, and is quite the midcentury pad.
Dubbed aeroMorph, the fabric is made of a composite of paper and plastic. The prototypes produced thus far by the lab have been digitally modeled and specially made to fold when inflated.
The seven-story, 1971 North Building at the Denver Art Museum, is getting a $150 million revamp, courtesy Boston firm Machade Silvetti Architects and Denver’s Fentress Architects.
Masterminded by local firm AT103, the run-down historic home—formerly a private home for a single family—today accommodates two restaurants, offices, and upper-floor apartments.
The formerly run-down granite cottage has a spiffy new gabled extension clad in larch wood and corrugated metal, courtesy of London firm Moxon Architects.
