Arts Advocacy After Ghost Ship: Mutual Aid and Brazen Ignorance
To neighbors, the informal artist colony and underground venue known as Ghost Ship was a blemish or a curiosity — ... More
To neighbors, the informal artist colony and underground venue known as Ghost Ship was a blemish or a curiosity — ... More
Begin part 1 (of 4) Apologies in advance: these are a few random limbs of a longer project. Initially ... More
On the occasion of Touch On: Aesthetics in the Art, Politics and Ontology of Touch, a group exhibit at SOMArts, ... More
I thought about it late and then early again this morning, why is it that we lay the book down ... More
In a poem that begins, “He thought there would be limits and that it would stop him,” I read the ... More
To neighbors, the informal artist colony and underground venue known as Ghost Ship was a blemish or a curiosity — ... More
Begin part 1 (of 4) Apologies in advance: these are a few random limbs of a longer project. Initially ... More
On the occasion of Touch On: Aesthetics in the Art, Politics and Ontology of Touch, a group exhibit at SOMArts, ... More
I thought about it late and then early again this morning, why is it that we lay the book down ... More
Qhip nayr uñtasaw sarnaqapxañasa / You must walk with eyes behind and in front of you
Hello Everyone. Hoping you all had restful holidays, surrounded by loved ones. And chocolate. We’re back in swing as of ... More
Against all presidents, fascists, cops, bros, white supremacists, colonizers, landlords, and those who defend them. Our deepest love and strength ... More
January – March 2017
This issue takes on Wilmer Wilson's essay "Five Points on Straight Lines" as a point of departure. We are bound by lines; identities framed by sharp parameters of language, politics, nationhood, history. Arbitrary, often, in their composition despite their concrete consequences. Do these lines betray us? What lies on the other side of the rapture of that which is linear? Perhaps it is the fracture, the linebreak itself, that must inform our processes of cartography. Can we punctuate, unravel even, lineage(s) and all ...the seemingly objective forms delineated on a map?
Edited by ARTS.BLACK, Liminality of Form is the latest issue of our durational magazine.
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