Notes
First thoughts, running arguments, stories in progress
Ivan Sekratev / AP

“I would say that Donald Trump’s views on women’s ideal roles are not shared by most people,” Alice Eagly, a psychology professor in Illinois.

“Being a jazz musician you have to be a Jedi,”J.D. Allen, a saxophonist, on the intellectualism of jazz.

“There will always be enough white kids. Most of them will never experience what it’s like being the only one,” —Rashaun Martin, who is black, on going to an elite, mostly white Boston high school.

(Previous quotes from our sources here)

Guy Clark, one of the finest songwriters in Texas country history and a Nashville legend, has died. A Grammy Award–winning artist, Clark wrote songs that were recorded by Johnny Cash, Vince Gill, Kris Kristofferson, Willie Nelson, and many other country-western stars. Among his 13 studio albums were scores of outlaw hits, including “L.A. Freeway” and “Desperados Waiting for a Train.”

My very favorite Guy Clark song is a ballad that he recorded in 1976 with Emmylou Harris and Waylon Jennings. (By pedigree alone, it’s got to be good.) “Anyhow, I Love You” is that rare love song that’s salty, not sweet. It captures such urgent emotion without a hint of cliche, pretense, or even much romance—“anyhow, I love you,” as in “anyhow, that’s all I’ve got to say.”

I wish I had a dime for every bad time
But the bad times always seem to keep the change
You been all alone so you know what I'm sayin'
So when all you can recall is the pain

Just you wait until tomorrow when you wake up with me
At your side and find I haven't lied about nothin'
I wouldn't trade a tree for the way I feel about you
In the mornin', anyhow I love you

Everyday it gets just a little bit better
And half the gettin' there is knowin' where I been before
I'm sure you understand 'cause I ain't your first man
So when you feel like runnin' for the back door, don't

Just you wait until tomorrow when you wake up with me
At your side and find I haven't lied about nothin'
I wouldn't trade a tree for the way I feel about you
In the mornin', anyhow I love you

Clark was 74.

(Track of the Day archive here. Submit via hello@)

A reader recommends a new podcast from Lindsay Goldwert—a journalist and stand-up comic based in Queens—that’s very similar to our ongoing reader series on financial struggles. From her five-minute introductory mini-sode (a word I just made up):

This podcast [SPENT] will address the age-old question: Why are we so f*****d up about money? Each episode will feature stories from people like you, people who have made money mistakes and lived to laugh about it. Well also have great advice from empathetic experts. We’ll laugh, we’ll cry, we’ll get our financial lives together, one episode at a time.

Our reader highlights a few of the best episodes so far:

The latest one is with Dean Haspiel, a comic-book artist, Emmy winner (he did the art for and inspired the Zach Galafianakis character in Bored To Death), Marvel and DC veteran … a genuine success in his field, and yet he only recently got out of debt and got health insurance, at nearly age 50. His latest endeavor is a free webcomic about an alternative Brooklyn where art is a currency of exchange. As he says wryly, “This is a romantic fantasy.”

The Tiana Miller episode is another standout. Broke and badly ill with multiple sclerosis, Tiana still musters the spirit and energy to perform standup comedy all around NYC. She talks about learning to navigate the health care system alone, having to rely on friends to take care of her, and how illness helped turn her into a professional funny person. (“I was like, why would I get hired at a chandelier store? One of my main symptoms is intense tremors!”) It’s a really emotional episode.

SPENT is available on iTunes and Google Play, but it’s most easily accessible directly from Goldwert’s site.

(The wonderful illustrations are by Christa Cassano)

All notes on "Stories of Financial Struggle" >

That’s the milestone the International Space Station reached yesterday. To celebrate, the U.S. National Laboratory aboard the ISS posted this serene view of the structure perched above Earth (though the angle does make it look like an ominous TIE fighter):

The first component of the ISS, the Zarya cargo module, launched on November 20, 1998. Since then, it’s orbited Earth every 90 minutes at around 17,500 miles per hour. NASA puts that in perspective:

That’s more than 2,643,342,240 miles traveled. Which is also like 10 round trips to Mars, OR nearly the distance to Neptune.

In commemoration of the 100,000th lap, another Instagram account from NASA posted a stunning, star-filled view of the space station:

Read On +

Last week, I wrote about a new Brookings report on sextortion, an increasingly common form of blackmail that the authors described as “remote sexual assault.” Perpetrators of sextortion acquire sexually explicit photos or video of someone—usually by manipulating them over social media or by hacking into their social accounts—and use the sensitive files to blackmail that person into providing more recordings of humiliating sex acts.

The report’s authors examined 78 state, federal, and international cases of sextortion, and found that perpetrators often torment dozens or even hundreds of victims. The harm is severe and lasting: In interviews with law enforcement, victims say they’re afraid to use the Internet or be seen in public, and at least one person was driven to attempt suicide by her attacker.

Despite the severity of the problem, the Justice Department doesn’t keep consistent data on sextortion cases, the authors found. They recommended a targeted data-gathering effort, and this morning, Barbara Boxer, a Democratic senator from California, sent a letter (PDF) to Attorney General Loretta Lynch asking for information on how her department collects data on sextortion cases.

Read On +

That quote is from a previous reader contributor, Lori, but it’s echoed in this monologue from the inimitable John Goodman:

The movie clip was flagged by another John, from the inbox, telling his story of “rags to riches, living the American dream”:

I have been broke and don’t ever plan on going back there again. I grew up “middle class” because my father was a carpenter and made good money and spent it on “toys”—motorcycles, boats, cars, etc. I had four brothers. I worked for my dad carrying shingles but couldn’t swing a hammer. I got a job at a steakhouse washing dishes and that sucked. I worked in a grocery store bagging food and eventually night-stocking shelves.  

My high school had a training program with a community college a few miles away and I certified in welding. After graduating high school I worked welding for a year with great pay. My only experience with a union is that after being hired I was “bullied” into joining the union; the union steward told me to be prepared to strike. Not encouraging for just starting. The strike never came but the business shut down.  

I got married, had a kid, started going back to the original community college, got divorced, went to the local state college, got an Electrical Engineering degree, moved out of state, worked three years then got laid off, moved back home, got a job with an electric utility, bought a house, got a live-in girlfriend who loved to gamble and gamble and gamble—but she left with her debt, thank God.

I was deep in credit card debt and had a house payment and a rental house a state away. I took a deep look and decided that debt was the anchor holding me back.  

Read On + All notes on "Stories of Financial Struggle" >

Jim Hamblin has a new piece up for Celiac-Disease Awareness Month. Money quote:

[Avoiding gluten] has not been shown (in placebo-controlled studies) to benefit people who do not have the disease. Celiac disease is known to affect about one percent of people. Yet in a global survey of 30,000 people last year, fully 21 percent said that “gluten free” was a “very important” characteristic in their food choices. Among Millennials, the number is closer to one in three. The tendency to “avoid gluten” persists across socioeconomic strata, in households earning more than $75,000 just the same as those earning less than $30,000, and almost evenly among educational attainment. The most common justification for doing so: “no reason.”

He goes on to detail the downsides of gluten-free replica products. A reader responds with a solid bit of advice:

As someone who has had a lifelong gluten allergy (and gave it to two of my three kids), the increased “trendiness” is a mixed bag. Yes, it mean more choices, but it also means that people think my disease is just a trendy lifestyle choice and not a real thing. My general recommendation is not to use too many wheat substitutes. Instead of a gluten-free sandwich, have a salad or meat and veg. Instead of beer, have wine or hard liquor.

One of my part-time jobs right out of college, while interning and waiting tables, was doing research for a book that my roommate and his celiac-suffering business partner were putting together to help people travel and dine out gluten free. This was late 2004, and I had never heard of gluten, nor had any peers I talked to about the research gig. So over the past decade it’s been remarkable to see how rapidly and widespread “gluten free” has become. Now my best friend is GF, for dermatological reasons, as is my mother, who swears that her GF diet has snuffed out some mild health problems—and she’s been a nurse for 40 years, so she’s very science- and health-oriented. Here’s another gluten-free reader who works in the sciences:

I work in human research. Getting people to keep accurate records of what they eat, or to maintain a specific diet for a long enough time without keeping them in a lab environment 24/7 is incredibly difficult if not impossible. I am gluten-free due to promising science on Hashimoto’s thyroiditis (I am not celiac). If you have a problem linked to inflammation, it makes sense to see if going gluten-free can reduce that inflammation.

Read On +

Ninety-eight years ago today, Congress passed the Sedition Act of 1918, which made it an imprisonable offense to criticize the federal government or U.S. military involvement in World War I. The legislation, which expanded the Espionage Act of 1917, came at the height of wartime fear and anger:

W. A. Rogers / Library of Congress

Violence on the part of local groups of citizens, sometimes mobs or vigilantes, persuaded some lawmakers that the [original] law was inadequate. In their view the country was witnessing instances of public disorder that represented the public’s own attempt to punish unpopular speech in light of the government’s inability to do so. Amendments to enhance the government’s authority under the Espionage Act would prevent mobs from doing what the government could not.

It was in this political climate that James Harvey Robinson, in the December 1917 issue of The Atlantic, addressed “The Threatened Eclipse of Free Speech”—a foreshadowing of the Sedition Act. Robinson argued that in times of national hardship, dissent is not only natural but necessary:

When we see khaki uniforms all about us … when coal runs low in the cellar and sugar in the kitchen; when we … are consciously grateful for a boiled potato; when we note the lowering of the exemption limit of the income tax, and are suspected of being a scoundrel if we do not invest in government bonds, the mind is quickened as never before. We would seem to have a right to suspect that many things must have been fundamentally wrong in the old and revered notions of the State, of national honor, even of patriotism, since they seem at least partially responsible for bringing the world to the pass in which it now finds itself.

Robinson (who took care to assure his readers that he, too, supported the war effort) sought to calm people on both sides of the free-speech debate: those worried about the dangers posed by dissenters and the dangers posed by suppression of speech.

But some parts of his argument are more unsettling. In this passage, he considers why free expression can be so incendiary and concludes it’s because the beliefs we express—and those we react to—are not rational:

Read On +
David Cameron and Michael Bloomberg eat hot dogs on July 20, 2010. (Shannon Stapleton / Reuters)

“You saw your neighbor consume something, you saw that he didn’t die, so you decided that would be a pretty good thing to eat too. Then as society became more complex, you start to have prestige models of, well, not only did he like that food, he's the most important person in the village, so of course I should really check it out,” Tom Vanderbilt, who studies taste.

“Sometimes women abort for reasons we wouldn’t like—‘we’ being whoever the woman isn’t,” Carol Sanger, a law professor.

“In this day and age, we can’t cloister ’em like 1802 in West Point. And that didn’t work out that well anyway. I’m a military commander, but it’s college,” Michelle Johnson, superintendent of the U.S. Air Force Academy, on why the school now allows students to date.

(Previous quotes from our sources here)

This morning, Mother Jones unveiled new designs for both the magazine and website to celebrate the publication’s 40th anniversary. In a note introducing the changes, editor Clara Jeffrey says her coworkers are “obsessed with our new favorite color, orange.”

My first response to the new look was an unbroken string of applause emoji.

My second take was self doubt. Is that ... is that what orange looks like?

Toward the top of the graphic, sure. As a University of Texas alum, I’d recognize burnt orange anywhere. I’m comfortable declaring part of the new logo to be burnt orange or Longhorn-adjacent. Hook ‘em, Mother Jones!

But the bottom of this logo treatment is far from the comforting colors of campus, instead awash in grapefruit hues. Adrienne shared the same reaction—at least, the part about seeing a gradient that changes from orange to pink. And we weren’t alone.

“If you hadn’t told me some people see a wash, it probably would have looked all one color—orange—to me,” texted a friend, a painting professor I consulted, fearing that others might see a white-and-gold logo.

But nope. No need to consult color theory. No need to dredge up traumatic memories. This Mother Jones sample is no illusion. Using highly sophisticated forensic analysis tools going well beyond the droplet function in Paintbrush, I deduced two distinct tones, with totally different hashtags and coordinates:

Now, orange you glad I asked?
*closes tab*
*deletes account*

Megan recently spoke with Dolly Singh, a former employee of SpaceX and the current CEO of the shoe design firm Thesis Couture, about her company’s attempt to build a comfortable stiletto. Along the way, Megan muses:

It’s appropriate, though, that creating those shoes would transform from a “project” to a broader purpose: The appeal of heels—not just of sky-high stilettos, but also of their less audacious cousins—lies, most broadly, in their ability to function not just as footwear, but also as small, wearable symbols of mankind’s tendency toward restless ambition. Heels have emerged from roughly the same impulse that led to cathedrals and skyscrapers and, yes, rockets: our desire to be taller, and grander, and generally more than we once were.

That allure—of being something bigger than oneself—resonated with this reader:

What a wonderful article! Thank you! I happen to love wearing high heels, and it’s embarrassing to admit, since I find flats much more comfy. My reason for liking them is that I’m a bit short, and heels make me tall. Taller, anyway. When I put on high heels, I’m suddenly 2"- 3" higher, and I feel a greater sense of power. It’s much nicer to be able to look people in the eye and not have to look up at them.

Read On +

Reader Ryan offers up a truly transformative pick for the cover series: Cat Empire’s version of “Hotel California.” As he describes it, “The Eagles sung in French by an Australian Latin jazz/ska band. Good times!”

Update from another reader named Ryan, in Denton, Texas:

Look, if you’re going to talk about covers of “Hotel California,” you may as well merge this discussion with your series of songs used in movies. The use of The Gypsy’s Kings cover of “Hotel California” is absolutely essential in introducing the character of Jesus Quinta:

That creep can roll, man.

The Atlantic abides.

(Track of the Day archive here. Submit via hello@)

All notes on "Cover Songs" >
Contribute to Notes: [email protected]
Most Popular On The Atlantic